They bide their time of serpentine
Green lanes, in fields, with railings
Round them and black cows; tall, pocked
And pitted stones, grey, ochre-patched
With moss, lodgings for lost spirits.
Sometimes you have to ask their
Whereabouts. A bent figure, in a hamlet
Of three houses and a barn, will point
Towards the moor. You will find them there,
Aloof lean markers, erect in mud.
Long Meg, Five Kings, Nine Maidens,
Twelve Apostles: with such familiar names
We make them part of ordinary lives.
On callow pasture-land
The Shearers and The Hurlers.
Sometimes they keep their privacy
In public places: nameless slender slabs
Disguised as gate-posts in a hedge; and some,
For centuries on duty as scratching posts,
Are screened by ponies on blank uplands.
Search out the furthest ones, slog on
Through bog, bracken, bramble: arrive
At short granite footings in a plan
Vaguely elliptical, alignments sunk
In turf strewn with sheep’s droppings;
And wonder whether it was this shrunk place
The guide-book meant, or whether
Over the next ridge the real chamber,
Accurate by the stars, begins its secret
At once to those who find it.
Turn and look back.You’ll see horizons
Much like the ones they saw,
The tomb-builders, millennium ago;
The channel scratched by rain, the same old
Sediment of dusk, winter returning.
Dolerite, porphyry, gabbro fired
At the earth’s young heart: how those men
Handled them. Set on back-breaking
Geometry, the symmetries of solstice,
What they awaited we, too, still wait.
Looking for something else, I came once
To a cromlech in a field of barley,
Whoever framed that field had real
Priorities. He sowed good grain
To the tomb’s doorstep. No path
Led to the ancient death. The capstone,
Set like a cauldron on three legs,
Was marooned by the swimming crop.
A gust and the cromlech floated,
Motionless at time’s moorings.
Hissing dry sibilance, chafing
Loquacious thrust of seed
This way and that, in time and out
Of it, would have capsized
The tomb. It stayed becalmed.
The bearded foam, rummaged
By wind from the westerly sea-track,
Broke short not over it. Skirted
By squalls of that year’s harvest,
That tomb belonged in that field.
The racing barley, erratically-bleached
Bronze, cross-hatched with gold
And yellow, did not stop short its tide
In deference. It was the barley’s
World. Some monuments move.
John Ormond Thomas (1923-1990), Dunvant-born poet and film-maker.